With prompts, read them all, especially out loud. Cut and paste the ones that "ring" and put them at the top of the list.
As soon as one sounds like the beginning of a story you could write, try starting a story with it, word for word if necessary (you can always change it later). Hear the voice, feel the rhythms. the emotions. Now write as fast as you can but keep thinking of that varied list, imagine a magnetic force, merely a tendency; let the story search for another prompt.
PROMPTS
She sat on the stairs in white bikini briefs
Because I could not stop for death
Her flat was in a side-street, an easy downhill to the front
After great pain, a formal feeling comes
Mrs Lettice was waiting for her as she left the flat.
There's a certain slant of light
Leaving a house-key in the lock wasn't that rare
My life had stood, a loaded gun
Not fruit but sweet
Let us go then, you and I
The door opened with a schlatt! of wood
In the room the women came and went
A curved archway went through to the galleyed kitchen
I have measured out my life with coffee spoons
She wasn't shocked by blood or death
Among the smoke and fog of a December afternoon
She had no real excuse
She has a bowl of lilacs in her room
Withing an hour the street was the scene of a circus
Shape without form, shade without colour
Glad to be heading for the cool day
Eyes I dare not meet in dreams
In a dormitory street where hardly anybody knew anybody
When the Himalayan peasant meets the he-bear in his stride
Pointing to a pine-coloured door
I've paid for your sickening fantasies
Billy Tingle straightened out an aluminium easel
Superior people never make long visits
Six parallel streets away from her own
When fishes flew and forest walked
The shopping centre was busy
Death in Milan
The afternoon light closes
Thursday, 3 May 2007
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